Nightstand Archive

The Reader By Bernhard Schlink

Lolita By Vladimir Nabokov

Where I'm Calling From By Raymond Carver

Posterity: Letters of Great Americans to Their Children By Dorie McCullough Lawson

Moneyball: The Art of Winning an Unfair Game By Michael Lewis

Plays Well With Others By Allan Gurganus

Cosmopolis By Don DeLillo

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña
By David Hadju

Middlesex By Jeffrey Eugenides

Bel Canto By Ann Patchett

The Tin Drum By Günter Grass/
Stones From the River By Ursula Hegi

The Corrections By Jonathan Franzen

House of Sand and Fog By Andre Dubus III

A Natural History of the Senses By Diane Ackerman

Invisible Man By Ralph Ellison

Confederacy of Dunces By John Kennedy Toole

The Guns of August By Barbara W. Tuchman

Midnight’s Children By Salman Rushdie

Guns, Germs, and Steel: The Fate of Human Societies By Jared Diamond

Reviews By

Alison Case

Nancy Williams Faris

Sarah Jensen

Chris Kane

Neal Kane

Jason M. Rubin




 
 



Where I'm Calling From: Selected Stories

By Raymond Carver

For my birthday this past year, a certain someone who signs my paychecks gave me this book. Obviously, then, I had to read it. But I didn’t have to choose it to review on the Libretto website. I did so because I was so enthralled by the style and perspective of this late master of the short story genre. This collection, published just three months before his death from cancer at age 50 in 1988, brings together 30 works from previous books, as well as seven previously unpublished stories. Perhaps what is most striking in such a retrospective is Carver’s ability to maintain his unique lens while keeping his tales compelling, empathic, and surprising. He is able to write convincingly from both male and female perspectives, and his stories can plumb the depths of hopelessness and the heights of redemption. Like any short story writer, Carver presents a snapshot of people’s lives. In another writer’s hands, these snapshots would be moments of highest drama, with a definite beginning, middle, and end. Carver, however, makes us aware that there are other stories, even bigger stories, going on in the blurred periphery of his viewfinder. Stories are introduced at some point beyond the start of a situation. At the end, we know that there are events and consequences that await the characters in scenes that will be played out beyond our view. The person who gave me this book (you know, the kind and generous one who signs my paychecks) particularly recommended "The Cathedral," in which a person who spends an evening with a blind man against his will begins to see many things more clearly, but the story immediately after that one burned most deeply in my mind. In "A Small, Good Thing," a rewrite of an earlier story, two parents must face their worst fear while dealing with a doctor’s vague assurances and a prank phone-caller. While a theme of the first two-thirds of the story is the impact of lack of knowledge, communication, and understanding, the final third is a dramatic stripping away of everything the characters had been keeping from each other. The title of the story is a good description of the book. Jason M. Rubin

©Copyright 2008 Libretto, Inc.