Nightstand Archive

The Reader By Bernhard Schlink

Lolita By Vladimir Nabokov

Where I'm Calling From By Raymond Carver

Posterity: Letters of Great Americans to Their Children By Dorie McCullough Lawson

Moneyball: The Art of Winning an Unfair Game By Michael Lewis

Plays Well With Others By Allan Gurganus

Cosmopolis By Don DeLillo

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña
By David Hadju

Middlesex By Jeffrey Eugenides

Bel Canto By Ann Patchett

The Tin Drum By Günter Grass/
Stones From the River By Ursula Hegi

The Corrections By Jonathan Franzen

House of Sand and Fog By Andre Dubus III

A Natural History of the Senses By Diane Ackerman

Invisible Man By Ralph Ellison

Confederacy of Dunces By John Kennedy Toole

The Guns of August By Barbara W. Tuchman

Midnight’s Children By Salman Rushdie

Guns, Germs, and Steel: The Fate of Human Societies By Jared Diamond

Reviews By

Alison Case

Nancy Williams Faris

Sarah Jensen

Chris Kane

Neal Kane

Jason M. Rubin

 




 
 




The Corrections
By Jonathan Franzen

The Corrections is the much-hyped novel that provoked a crisis on Oprah’s Book Club when Franzen intimated that the grand lady’s endorsement might harm his literary reputation. I approached the book with a certain degree of skepticism, which seemed justified for the first several hundred pages. The characters – the three adult children and elderly parents of a fractious midwestern family – seemed too negative, too arch, and too harsh in their interactions with one another. I then encountered a passage in which the parents, Enid and Alfred Lambert, embark on a cruise to Nova Scotia. After just a few pages of this luminous, captivating prose, I had surrendered to the book’s siren spell, which carried me through to its conclusion.

Over the course of the novel, the reader experiences an extended, multifaceted, and unsparing journey into the lives of Enid, Albert, and their three deeply troubled children – Gary, Chip, and Denise. While the dialogue can be almost painfully lacerating, and the signs of redemption for this clan are few and faint, The Corrections leads you to a truly profound understanding of how these complex individuals came to arrive their rather sorry state. Perhaps the greatest feat of The Corrections lies in the subtle ways that Franzen compels you – often against your best instincts – to care about these beleaguered souls more deeply than you ever imagined possible. Neal Kane

©Copyright 2008 Libretto, Inc.