Nightstand Archive

Raintree County By Ross Lockridge, Jr.

Freedom By Jonathan Franzen

Team of Rivals: The Political Genius of Abraham Lincoln By Doris Kearns Goodwin

The Elephant Vanishes By Haruki Murakami

The History of Love By Nicole Krauss

In Cold Blood By Truman Capote

broken symmetry By Jack Ridl

The Long Sandy Hair of Neftoon Zamora By Michael Nesmith

The Reader By Bernhard Schlink

Lolita By Vladimir Nabokov

Where I'm Calling From By Raymond Carver

Posterity: Letters of Great Americans to Their Children By Dorie McCullough Lawson

Moneyball: The Art of Winning an Unfair Game By Michael Lewis

Plays Well With Others By Allan Gurganus

Cosmopolis By Don DeLillo

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña
By David Hadju

Middlesex By Jeffrey Eugenides

Bel Canto By Ann Patchett

The Tin Drum By Günter Grass/
Stones From the River By Ursula Hegi

The Corrections By Jonathan Franzen

House of Sand and Fog By Andre Dubus III

A Natural History of the Senses By Diane Ackerman

Invisible Man By Ralph Ellison

Confederacy of Dunces By John Kennedy Toole

The Guns of August By Barbara W. Tuchman

Midnight’s Children By Salman Rushdie

Guns, Germs, and Steel: The Fate of Human Societies By Jared Diamond

Reviews By

Alison Case

Nancy Williams Faris

Sarah Jensen

Chris Kane

Neal Kane

Jason M. Rubin

 




 
 



The Elephant Vanishes
By Haruki Murakami

If Murakami’s stories were fine wines, they’d smell familiar, taste peculiar, and linger on the tongue. You’d want a second glass.

Murakami’s characters are certainly not what stay with you. Indeed, most of the characters in this short story collection have no distinguishing features other than their profound humanity; they hang their laundry to dry, make dinner and wash the dishes, lounge around in their gardens and thumb through magazines. In other words, don’t pick up this book expecting action-packed adventure or windows into a protagonist’s inner world.

What can you expect? A complaints department employee responding to an innocuous letter of complaint with a long, rambling love letter. Newlyweds experiencing a hunger so intense that they hold up a McDonald’s. People emerging from a television set at three-quarters the size of “normal” people. And yes, an elephant vanishing without a trace.

Tossing aside the conventions of novel writing, Murakami hurls absurdities at the reader and offers no resolutions. You’re left on your own to ponder the pointlessness of existence, as you sit on your balcony turning the pages.

Thought-provoking? Yes. Confounding? A little. Depressing? Maybe. But there’s a lot more in these stories than echoes of Kafka and Camus: The beautiful writing is half the point, or perhaps three-quarters of it.

Alison Case


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