Nightstand Archive

The Reader By Bernhard Schlink

Lolita By Vladimir Nabokov

Where I'm Calling From By Raymond Carver

Posterity: Letters of Great Americans to Their Children By Dorie McCullough Lawson

Moneyball: The Art of Winning an Unfair Game By Michael Lewis

Plays Well With Others By Allan Gurganus

Cosmopolis By Don DeLillo

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña
By David Hadju

Middlesex By Jeffrey Eugenides

Bel Canto By Ann Patchett

The Tin Drum By Günter Grass/
Stones From the River By Ursula Hegi

The Corrections By Jonathan Franzen

House of Sand and Fog By Andre Dubus III

A Natural History of the Senses By Diane Ackerman

Invisible Man By Ralph Ellison

Confederacy of Dunces By John Kennedy Toole

The Guns of August By Barbara W. Tuchman

Midnight’s Children By Salman Rushdie

Guns, Germs, and Steel: The Fate of Human Societies By Jared Diamond

Reviews By

Alison Case

Nancy Williams Faris

Sarah Jensen

Chris Kane

Neal Kane

Jason M. Rubin

 




 
 




House of Sand and Fog

By Andre Dubus III

House of Sand and Fog centers around the rapidly rising and falling circumstances of three people: Amir Behrani, a one-time colonel in the Iranian Air Force who, until purchasing a repossessed house at an auction, had been making a living in the US picking up trash along the highways near Berkeley; Kathy Nicolo, a one-time alcoholic whose husband has left her with little more than the house she inherited from her father – that house she has just lost for failure to pay taxes; and Sheriff Lester Burdon, a married man who finds himself in the middle of their dispute, yet soon falls in love with the desperate woman. There is, of course, a fourth character as well: the titular house itself, which stands mute yet somehow menacing in the background, the shared desire that ultimately, along with the mistrust and myopic fear the two parties in dispute have for each other, leads to everybody’s downfall. Along the way, we learn a good deal about Persian language, food, and customs; we see how systems so easily fail those who rely on them; and we watch helplessly as three characters who are neither heroes nor villains, yet possibly both, chase their selfish desires into a descending spiral of pain and despair. Jason M. Rubin

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