Nightstand Archive

The Reader By Bernhard Schlink

Lolita By Vladimir Nabokov

Where I'm Calling From By Raymond Carver

Posterity: Letters of Great Americans to Their Children By Dorie McCullough Lawson

Moneyball: The Art of Winning an Unfair Game By Michael Lewis

Plays Well With Others By Allan Gurganus

Cosmopolis By Don DeLillo

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña
By David Hadju

Middlesex By Jeffrey Eugenides

Bel Canto By Ann Patchett

The Tin Drum By Günter Grass/
Stones From the River By Ursula Hegi

The Corrections By Jonathan Franzen

House of Sand and Fog By Andre Dubus III

A Natural History of the Senses By Diane Ackerman

Invisible Man By Ralph Ellison

Confederacy of Dunces By John Kennedy Toole

The Guns of August By Barbara W. Tuchman

Midnight’s Children By Salman Rushdie

Guns, Germs, and Steel: The Fate of Human Societies By Jared Diamond

Reviews By

Alison Case

Nancy Williams Faris

Sarah Jensen

Chris Kane

Neal Kane

Jason M. Rubin




 
 



Middlesex
By Jeffrey Eugenides

Winner of the 2003 Pulitzer Prize for fiction, Middlesex traces the story of Cal Stephanides, a 41-year-old hermaphrodite who begins life as a girl, Calliope, before experiencing one of the most extraordinary and memorable transformations in contemporary literature. Continuing the tradition of great fictional "autobiography," such as Sterne’s Tristram Shandy, Calliope takes her sweet time being born; the first section of the novel focuses on her Greek ancestors (or should I say "incestors"?), who flee Asia Minor for the United States, and unwittingly seal her genetic fate. Anticipating the narrator’s destiny, the Stephanides clan slowly metamorphoses after settling in mid-century Detroit, maintaining a hybrid (and often hilarious) duality: not quite Greek, not quite American. In the decades leading up to – and through – Calliope’s almost surreal adolescence, Eugenides offers us a narrative voice that is truly astonishing: fresh, direct, vivid, poignant, and utterly unique. For those of us (like myself) who are connoisseurs of the gray areas in life, Middlesex deftly and delightfully turns many of our most dearly held assumptions about gender, identity, and intimacy neatly on their heads. Yet Eugenides never takes the easy road into relativism or simple fatalism. In a world where historical, emotional, and physical upheaval – both around us and within us – can obliterate our sense of the familiar at any moment, he affirms the tenacious pursuit of what is meaningful, beautiful, and honorable. Neal Kane

©Copyright 2008 Libretto, Inc.