Nightstand Archive

The Reader By Bernhard Schlink

Lolita By Vladimir Nabokov

Where I'm Calling From By Raymond Carver

Posterity: Letters of Great Americans to Their Children By Dorie McCullough Lawson

Moneyball: The Art of Winning an Unfair Game By Michael Lewis

Plays Well With Others By Allan Gurganus

Cosmopolis By Don DeLillo

Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña
By David Hadju

Middlesex By Jeffrey Eugenides

Bel Canto By Ann Patchett

The Tin Drum By Günter Grass/
Stones From the River By Ursula Hegi

The Corrections By Jonathan Franzen

House of Sand and Fog By Andre Dubus III

A Natural History of the Senses By Diane Ackerman

Invisible Man By Ralph Ellison

Confederacy of Dunces By John Kennedy Toole

The Guns of August By Barbara W. Tuchman

Midnight’s Children By Salman Rushdie

Guns, Germs, and Steel: The Fate of Human Societies By Jared Diamond

Reviews By

Alison Case

Nancy Williams Faris

Sarah Jensen

Chris Kane

Neal Kane

Jason M. Rubin




 
 



Midnight’s Children
By Salman Rushdie

Much of the surge in the popularity of South Asian literature during recent years can be traced to one revolutionary event – the 1981 publication of Midnight’s Children. The novel’s protagonist, Saleem Sinai, has the distinction of having been born at the stroke of midnight on India’s first day of independence. The rollicking account that ensues, tracing Salaam’s life and lineage, has something for everyone – magical realism, a picaresque quality reminiscent of Candide, and a historical perspective on the ongoing struggle between India and Pakistan, Hindu and Muslim. Rushdie’s insightful, ambitious, and beautifully realized novel – published a decade before the fatwa that sent him into hiding – is destined to assume its place among the late 20th century’s greatest literary accomplishments. Neal Kane

©Copyright 2008 Libretto, Inc.